I hate to say this, but the talent pool of American actors has been shrinking for years.
Most American actors came into movies through stage (like Brando) or adult television (like Burt Reynolds). They trained with good acting coaches using innovative techniques.
But now, most American actors come into movies from juvenile television. It’s a massive logistical problem, but it’s much easier to hire actors who have already had membership in the Screen Actors Guild than to try to get an actor who has trained on Broadway or at a university theatre program into the Screen Actors Guild.
And teenage American actors get virtually no training. They come into adult acting with no real background in how to act, so, when you need someone really good, it’s a really small pool of talent.
However, in Great Britain, where America draws most of its “Screen Americans”, teenagers who are on juvenile television are still in some sort of serious theatre program learning stuff like Shakespeare. They likely have theatre experience before they get into movies. They learn how to act.
Take one of my favourites, Maisie Williams.
Although she got her job as Arya Stark at the age of 14, she already had three years of experience at a performing arts academy. Prior to that, she already had dance and drama training. Americans of the same age would probably be more interested in polishing their resumes than their acting skills.
Spike Lee noted that the film Selma featured British actors in all the lead roles, including playing Martin Luther King, Jr. He was somewhat upset that a black American didn’t get the role, but had to admit that he would be hard-pressed to name a young American actor who could carry the role.
And it’s that way for many serious productions. The big American actors aren’t bad, but they don’t have the same sort of training on the whole. There are exceptions, like Robert Downey, Jr., who have outstanding acting chops, but they’re few and far between, and their number keeps shrinking.
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